Labor is hard everywhere, even at the North Pole.
This week’s video is a trio from “Man of La Mancha.”
Gina, Shemp (as Quixote), and Papagina (as Dulcinea, who we’ve subbed in for Sancho) sing “Golden Helmet of Mambrino.”
Papagina built by Matthew Posner
Saturday night Red Curtain Foundation for the Arts had their gala fundraiser. This annual event raises funds for the theater.
In the past, the evening has included scenes from the upcoming season, but this year they did something different and did a flash mob of the prologue from “Into the Woods.”
The singers began singing their parts from their chairs throughout the theater (which had been set up at dinner tables) before moving through the auditorium and landing on stage before ending back throughout the house.
I had volunteered to participate in the event without knowing what I was volunteering for. Scott Randall, the company’s artistic director, had advertised simply that he was looking for female singers.
I was cast as the narrator (there had been some debate abut whether I’d use a puppet or not–we eventually decided not) and had attended rehearsals.
On Friday, as I was getting ready to go to the final dress rehearsal, I got a text from Scott Randall, the artistic director of the company and director of the number. Dorothy Pierce, who had been slated to play the witch, had been exposed to Covid. Oh no!
Scott wondered if I would be willing to go on as the witch.
I had briefly looked at the part a few years ago to see if it would be okay to use for a “Hamilton” audition (no, it wouldn’t), but that’s it. But I’m a trouper, and the show much go on, and sure, I said, I’d do it.
So I went to rehearsal, and Scott told the cast what had happened. Everyone was very supportive, which is nice. We ran through the scene twice (I think), and then a couple of us ran through our parts with the orchestra in small groups. And that was it.
I went home that night and set up my script rehearsing app with the OBC recording “reading” my lines for me and spent all day Saturday listening and reciting along with the recording until I was PRETTY well memorized.
Once at the theater, like the other folks in the piece, I pretended I was just another guest at the fundraiser. I bid on some silent auction items and chatted with folks and had a general good time.
Scott came by the table and announced we were about to start, and then we had to wait for a minute, and finally we started. Scott took over for me as narrator and kicked off the whole thing with a sonorous “Once upon a time,” and we were off!
At one point, Scott announced that Cinderella’s mother had died, and a lady at the table next to mine sadly said, “oh, no.”
Each singer said or sang their first line from their chairs, and I was able to do my first couple of lines from my chair without my music. I did pick up the music (and a neat witch hat) after the first couple of lines. There are a LOT of lines in the witch’s part, and I decided to have the music in hand to be safe.
I chewed scenery and witch laughed and possibly worried some women sitting in the middle of the auditorium and generally had a good time. We got good applause, and everyone had a great time.
Some neat things were auctioned off and yummy desserts were given away, and it was a lovely evening. Thanks to Scott Randall, music director Rose Yurcina, and costumer Celeste Ninja-Moody for a wonderful night!
The highlight of the Olympics opening ceremonies today was the “kinetic pictograms.”
A group of three performers re-created the pictograms that indicate each Olympic event.
The segment was reminiscent of the Japanese TV show “Kasou Taishou,” where teams of performers perform skits, lately involving “cinematic special effects.”
During and afterwards, Twitter was abuzz with reaction to the pictograph segment.
Although challenging, these are pictograms you and your friends could perform at home.